Sai is always alive - His Idol in Shirdi Samadhi Mandir

Holy Shirdi | SamadhiMandir - The Statue and Tomb of Sri Sai Baba

Cherished statue of Sri Sai Baba

For pilgrims to Shirdi, darshan at Baba's tomb is the climax of their visit and the statue above the tomb represents the living, breathing God. As such, it is the focus of all their longings, hopes and desires, and a concrete form to which they can express their love. The statue is admired as an extraordinary andexquisite image, exuding grace and benevolence, and a mysterious vitality. Baba sits relaxed, natural and majestic, gazing benignly on the millions of diverse visitors who flock to him for succour. Many have commented on the life-like quality of the eyes, as these are typically the most difficult feature to portray in a stone sculpture. In this statue, though, they really do seem to be looking at us and responding!

Baba repeatedly assured devotees that he would never cease to answer their call even from his tomb, and that his mission is "to give blessings". The pull of the tomb, above which the statue sits, is powerful and intense and draws seekers to Shirdi in numbers that increase every year. Here, devotees address their heartfelt prayers, beg for help, give thanks and offerings for prayers answered and wishes fulfilled, sing their devotion, and pay humble obeisance to their beloved deity. For them, the statue does not merely represent God, it is God; and the opportunity to prostrate before it and make oblations may be the fulfilment of a lifetime's ambition.

The statue, which has become such a famous and well-loved image of Baba, was not installed until 1954, and there is an intriguing story behind it. Some white marble arrived from Italy at the Bombay docks, but nobody seemed to know anything about it - who it was for, or why it had come. In the absence of a claimant, the dockyard auctioned it and the purchaser offered it to the Shirdi Sansthan (temple authorities). Impressed by the quality of the marble, they wanted to use it for an image of Baba and gave the commission to a sculptor from Bombay, Balaji Vasant Talim. However, the latter had only one black-and-white photo of Baba to use as his model and was struggling to get the likeness. One night Baba came to him in a dream, remarked on his difficulties and then showed him his face from various angles, encouraging Talim to study it thoroughly and remember it well. This gave Talim the fillip he needed and after that the work flowed easily and the result exceeded all expectations.

Baba's darshan

The statue was installed on 7 October 1954, on Vijayadasami day, the 36th anniversary of Baba's mahasamadhi. The ceremony was performed by Swami Sai Sharananand who, as a youth (then named Vaman Patel), had had direct contact with Baba during the eight years before Baba's mahasamadhi. The Nandi bull (statue of Shiva's vehicle) now seen at the entrance of the temple was added later. The silver throne upon which the statue is seated and from where Baba governs his spiritual empire weighs 60.82 kg. A grand new throne weighing 205 kg was installed on Ramanavami 2002 and is used on special festival days.

Baba's tomb with padukas in front.
"My bones will assure you from my samadhi.
It will communicate with you.
It will respond to whoever surrenders to it."

As the main object of adoration in Shirdi, the statue is accorded all due honours. As one of the chief Sansthan officials said, "We believe that Baba is still alive." Out of their love for Baba, devotees wish to provide every comfort and respect they can. Accordingly, Baba is given a hot water bath in the morning, offered breakfast, lunch and dinner, has his clothes changed four times a day before each arati and is adorned with a silver or gold crown for the arati worship. At night a mosquito net is hung and the tomb is spread with a special plain white cotton cloth, of the type that Baba's kafni was made. A glass of water is kept by his side. Each morning at five o'clock Baba is woken up, the mosquito net is removed, and incense is offered while bhupali (a morning raga) is sung

After the first arati of the day, abhishekam (ritual bathing of the statue with water, milk, curd, ghee etc) is performed. Devotees may sponsor the abhishekam by contacting the Donation Office. Visitors may also donate cloth for Baba, which will be wrapped around the statue. Later, all the cloth that Baba has "worn" is put on sale in the Sansthan shop, just a few metres from the mandir. Many people like to buy cloth that has been sanctified in this way and use it for their altar or some other sacred purpose.

Devotees queue for darshan inside the Samadhi Mandir

Believing that their work is service to a living Sai Baba, a living god, the priests carry out their duties with tender love and care. One of them related that once when bathing the statue, he inadvertently dropped the water container onto it.

For the next two days he had a severe pain in his knee, went to the doctor, had injections, took painkillers and did everything he could to try to alleviate it. Eventually he prayed to Baba and asked why he had to suffer in this way. That night Baba came to him in a dream and said, "You think you're in pain, but how do you think I felt when you dropped the jar?" Thereafter the priest was careful not to injure Baba in any way, and to respect the statue as if it were the living Baba in a physical body.

The feeling and experience that Baba is still alive and present pervades all the Sansthan facilities and activities of his devotees. As you move around Shirdi, you will see that this sentiment informs life, worship and pilgrimage here and contributes to the mystique and magic of what we call Shirdi.

(Source : https://holyshirdi.saibaba.com/samadhi-mandir/thestatue-1.html)

Shirdi Sai's Holy DHUNI in Dwarkamayi

Dhuni

For many visitors, the dhuni is the most significant part of Dwarkamai, as it is so intimately associated with Baba. The dhuni is the sacred, perpetually burning fire that Baba built and which has been maintained ever since, though today the fire is much bigger and is enclosed behind a wire cage.

The maintenance of a dhuni is important in several traditions, including Zoroastrianism, Sufism and Hinduism (especially the Nath sect). Fire was also important to Baba, as wherever he stayed - whether under the neem tree, in the forest, or in the mosque - he always kept a dhuni. Baba, however, was not bound by any convention or set rules, nor did he worship the fire. He simply maintained it, using it for his own particular and mysterious purposes. There were none of the classic restrictions around Baba's dhuni. Baba did not prevent others from touching it - indeed, villagers would sometimes come to take embers with which to kindle their own household fires, and whenever Radhakrishnayi used to spring-clean and whitewash the mosque at festival times, she would move the dhuni into the street outside. Baba did not confine himself to burning only wood on the dhuni, but would throw his old clothes on it once they were worn out, and he would adjust the fire with his foot. (In Indian culture it is considered disrespectful to touch or point to anything with the foot.) One day, the fire in the mosque got wildly out of control, with flames leaping up to the roof. None of those present with Baba dared say anything to him but they were nervous. Baba responded to their uneasiness, not by prayer or supplication, but by majesterially rapping his satka (stick) against a pillar and ordering the flames to come down and be calm. At each stroke the flames diminished and the fire was soon restored to normal.

When Baba returned from his morning begging rounds with a cloth bag of food and a tin pot of liquids, he would first offer some of it at the dhuni before taking any himself. We may not be able to discern exactly why or how Baba used the dhuni, but it is evident that despite the apparent informality around it, the fire was an important part of his routine. According to the Sri Sai Satcharitra, the fire symbolized and facilitated purification and was the focus of oblations, where Baba would intercede on behalf of his devotees. Once when Baba was asked why he had a fire, he replied that it was for burning our sins, or karma. It is reported that Baba would spend hours sitting in contemplation by the dhuni, facing south, especially early in the morning after getting up and again at sunset. Mrs Tarkhad, who had Baba's darshan regularly, says that at these times "He would wave his arms and fingers about, making gestures which conveyed no meaning to the onlookers and saying 'Haq' which means God."

The spot where Baba used to sit is marked by a small pair of silver padukas. Look carefully - on the floor just in front and to the right of the dhuni - for they are easy to miss. We feel awed when we see the padukas and reflect on what issued from here - this was the spot where Baba stood and sat, his finger on the pulse of the universe, controlling, effecting, giving, protecting, never resting but constantly seeing to the needs of his devotees, for as he said, "If I don't take care of my children night and day, what will become of them?"

Today the dhuni is maintained in a carefully designed structure lined with special fire-bricks, in the same place that Baba used to have it. Baba made an intriguing comment about this spot, saying that it was the burial place of one Muzafar Shah, a well-to-do landowner, with whom he once lived and for whom he had cooked. This is recorded in Charters and Sayings, but as so frequently when Baba speaks about his personal history, we do not know to which life he was referring.

In 1998 the Sansthan undertook the rebuilding of the dhuni pit and re-designed the chimney to its current distinctive shape.

Source:(https://holyshirdi.saibaba.com/mosque/dhuni-1.html)

Sai - please heal the world

Dear Sai Baba

The whole world is going through helpless phase because of Corona virus. Please intervene and heal the world. Protect all beings in Your armour.

Sorry Lord of the Universe, we did not think much when we ruin Mother Universe, but now it is a time to look within and change our ways and seek forgiveness 🙇🙅