Sunday, 18 September 2016

Sai's portrait in Shirdi - Dwarkamai

About this Sai portrait – by Mani Sahukar




Sai often emphasized the importance of the DWARKAMAYI (an old dilapidated Masjid where Sai lived) and spoke of its purity as if the hall were something apart from His usual spiritual kingship. But it is in this spot that the great Master lived and it is here that He preached His eternal gospel and performed His wonderful miracles. No wonder that the atmosphere has absorbed all the glory of those years of peerless guruship when He inspired thousands to rise up in their own strength and freedom, to conquer and to create. This durbar has remained intact, the same simple construction it was in the days of the Master, a priceless legacy from Him to us who revere Him.




In the center of the hall where Sai used to sit, is built a small wooden throne-like seat on which there is a life-size portrait of the Guru done in oils by one Mr. Jaykar of Bombay. Here is a brief reference to this beautiful portrait of Sai Baba. Mr. Jaykar is not an artist of any great recognized international fame, but in this portrait of the Saint of Shirdi he has produced a masterpiece, not however in any strict academicals sense, for it is quite possible that from a technical point of view the painting is full of flaws and the art critic may find in it many short comings of line and perspective and color tones. Nevertheless, the painting is a masterpiece, for in it somehow Sai has come alive! The picture assumes almost a three dimensional reality, a vivid and insistent presentation of the Soul, not a mere thing of canvas and oils, but a creation that manifests the supra-mental touch. The eyes have the lustrous brightness and compassionate moisture which is seen only in life and the smile curiously resembling the smile of Mona Lisa in Leonardo da Vinci’s masterpiece is no less vivid. “It is not a painted smile”, was the outburst of a devotee, “It is not static, but alive and real, a thing of flesh and blood.” That could be said of the whole picture. It is not some static likeness of the Saint that has been reproduced on canvas; it is as if the Master had himself descended into the picture and made it alive and immortal!

It is very interesting to record that the painting was done when Sai was actually present in Shirdi, and when the inspired artist showed his work to Sai, He hugged the portrait to His heart and is reported to have said, “This picture will live after me”. This prophecy has come true.

In Dwarkamayi, with this great portrait at one end, and the sacred fire which has not been extinguished on the other end, one can find anew the infinite splendors of Sai’s spiritual magnitude.

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